Proud Nigerian Polytechnic Graduates and numerous other lovers of development in Nigeria have been invited to grace a ground-breaking event, the inauguration ceremony of the Forum of Nigeria Polytechnic Alumni Associations (FONPAA).
BY OKAFOR PRINCESS: NATIONAL MUSEUM OF UNITY ENUGU
ABSTRACT
The Igbo people of Nigeria are known for their rich culture and traditions and their hairstyles are no exception. Their hairstyles remind people of their cultural identity, the expression of beauty through their hairstyles has been a long-standing signature of Igbo culture, they see their hair as their glory and it is expected to be given great attention. This paper intends to espouse the significance of traditional hairstyles, historical background of the traditional hairstyles, fascinating history of traditional Igbo hairstyles across three eras and the different hairstyles adorned by Igbo women. This is a qualitative research that adopted the use of past literature, observations, case studies and photographs to collect data with a view to highlight the traditional Igbo hairstyles as a means of identification. This paper will be beneficial to the Igbo culture.
Key words: Culture, Adorned, Expression and Hairstyles.
BY CHUKWU GLORIA
NATIONAL MUSEUM OF UNITY ENUGU
INTRODUCTION
Architecture is the art and science of designing and constructing buildings. It plays a crucial role in reflecting the culture, traditions, and values of a society. Traditional architecture, in particular, serves as a bridge between the past and the present, preserving the identity of a community and providing a glimpse into its history. In the case of Igbo traditional architecture, its significance lies not only in its aesthetic appeal but also in its embodiment of Igbo cultural values, social structures, and religious beliefs. This paper will explore the importance of Igbo traditional architecture, its key characteristics, and how it has evolved over time.
Pericoma’s efforts individually and collectively to contribute his own quota towards preserving the culture of Ndi-Igbo, like all other meaningful efforts in life, did not go without recognition and challenges.
Chief Azubuike Nwankwo Mezue Okoye is his name. He lived as a respected and ardent follower, believer and practitioner of “Omenala” the Igbo traditional religion and culture. A musician of high standing and repute he truly was. His dance, music and songs were in both content and context, thought provoking, change oriented and impact driven. They were inspiringly unique and pioneering.
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TIC Chairman Jos North LGA, Hon. Samuel Dala Umaru receiving LEPRT publications from Mrs. Ikwuta of LEPRT while Mr. Mafeng also LEPRT is seen on your right eated |